I am an author and I’ve been writing since I was a wee thing, and publishing since I discovered the internet in 1994 or so.
Half of my week, I am a project manager developing IT solutions. For the rest of the week, weekends, and every waking hour outside work, you can find me scribbling away at many a story that just won’t leave me alone.
So what do I write? Contemporary and urban fantasy have mainly been my playground, but I have done some real world settings as well. I do like mystery and have been reading (and watching) Agatha Christie since I was a child. I’ve also been known to do a bit of poetry.
Style: I have been told I do angst well, so if you want your heartstrings twanged, or your tummy to tie in knots until the end, then I’m your gal. I am, however, a happy ending junkie, although I do throw a hint of realism in there sometimes as well. I like a few twists and turns on the way in some of my plots, although I have written my share of PWPs as well. I have to admit a small obsession with eyes: I believe they are the seat of beauty in a person, so I play with them in creature fic and use them for expression in others – personal hang up, sorry. Also, I have never met a cliché I didn’t like and I am a firm believer that cliché is fine if you do it right.
Writing is a passion and there’s nothing better than writing for an audience. Any writer who says they don’t care about feedback must have had an ego amputation 🙂 If you like my scribbles, I’d be very glad to hear from you.
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Sophie’s Latest Personal Blog Posts
Sophie's Thoughts and Fumbles
Hi, my name is Sophie Duncan. I'm an author of fantasy, paranormal, horror and erotica. Welcome to my blog. Here I'll ramble on about the books I'm reading and writing, ebooks, publishing and anything else I happen to think of.
My rating: 5 of 5 stars
A classic that can be read again and again
I first read this book when I was doing by gcse English and that is when I fell in love with it. Susan Cooper has a wonderful sophisticated way with words that weaves image and feeling together while still being able to appeal to both the adult and child in me. There is wonder in these pages, and magic and mystery all set in the backdrop of English countryside. As Will learns the truth of himself and the rising Dark, Cooper compells us to read on and discover with him. Don't be put off by him being an 11 year old boy, he needs no ageing up (like the terrible movie) to make him relatable, Cooper's storytelling does that.
A great read for children and adults alike.
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Haunted Words! #FreeFictionFriday Exclusive Free Short Story
by Sophie DuncanWhen a bibliophile finds a book of awful love poetry, she has no way of knowing where Wilbur's purple rhymes will lead her.
My rating: 3 of 5 stars
This book is the second of a pair, and I will say upfront, this killed much of the enjoyment for me. I gave the first book in this pair, The Monster Museum, a 1 star review, because the split just left it without a substantial story, but you can read that review separately. I am not being as caustic about this book, but my rating is low compared to most of the Ellie Jordan books, and here's why - it was too 'big'.
I don't mean in length, I mean in scope - like Terminal, which is #4 in the series, I felt the widening of the geography and the sheer number of ghosts detracted from the story - not to mention, it's finishing off the story that I think should have been in The Monster Museum. There's a whole mini story in the middle about a haunted hotel that could have been a book on its own, and it was the bit I enjoyed the most, and I loved the outcome of that bit. The actual climax of the main story I found overly large and therefore a bit anti-climatic, and I thought it was missing bits.
This book is the culmination of the long running arc featuring Anton Clay, and, as an aside here, I will mention the bits of the story that were written from Anton Clay's POV - I skipped every single one of them and it didn't matter a jot to the story - they were totally unnecessary and interrupted the flow of the plot, which has always been from Ellie's exclusive POV before. Okay, back to the finale - given how long we've been waiting for this showdown between Ellie and Clay, I knew it would be bigger than the 'villainous ghost of the book' encounter, but I was also expecting the climax to pick up other references from throughout the other books. Some it did, some it didn't, and the big one I think that was left out was Ellie's ability to skip out of her body, which seems to have just been dropped in the last few books - was it too useful? I can see why it was left out, because so much was thrown in that the climax was overstuffed anyway, but it's a talent I found interesting, so I was a bit disappointed when it didn't get used. For the climax itself, the use of an entire town full of ghosts had the same effect as in Terminal, it spread out the threat and it was just a distraction. Greta and Clay were the only two ghosts who made much impact, even Amil from Monster House was just a sidekick with a few mentions, diminishing his threat in my head - his ring was more important than him in the end. I did enjoy how Clay and Ellie faced off though - that was a well written bit of drama.
So, in summary, this is not my favourite book of the Ellie Jordan series, in fact it's my second worst, just coming in better than The Monster Museum, but unlike that book, I did not want to throw my kindle across the room after 'finishing' it, and I used quotes, because The Monster Museum didn't finish. It was an adequate conclusion to the Anton Clay arc, and I want to read more Ellie Jordan books, where I hope to be raising my review scores back up to 4's and 5's again.
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